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The Face, nº 64, August 1985
“The tools at Brody's disposal -compass, graph paper, set square- lent themselves to geometric-based design and so, drawing his influence from the Bauhaus and specifically the typefaces of Herbert Bayer, he forged a contemporary form of Graphic Expressionism.”
Paul Gorman. The story of The Face: the magazine that changed culture. London: Thames and Hudson, 2017 (p. 103)
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